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NHK will never be mistaken for an artistic masterpiece, but does have its visual good points. Background art, especially when depicting cityscapes and city streets, looks good and carry impressive detail, and close-up shots of characters usually fare well. Its male character designs set Yamazaki and Sato apart from run-of-the-mill college-aged males leads, and Misaki has a suitably fresh and attractive look without being overtly sexualized except in Sato's fantasies. (Although the pink parasol is overkill.) Sato's early hallucination scenes also have just the right feel. Hitomi, the recurring former senpai of Sato, has a more typical look, and character renderings which are never especially sharp become far rougher in many distance shots. Worse, the quality of the character artistry and animation suffers an atrocious breakdown for a while starting about nine minutes into episode 4. Even beyond that weak point the animation rarely looks good.

No fault can be found with the musical score, which never strikes a wrong note and flawlessly sets and enhances the mood of every scene. Most impressive in its light guitar, piano, and harmonica themes, it also offers nice rock, J-pop, and synthesized numbers and ratchets up the tension and anxiety of the more demonstrative scenes. This is a soundtrack worth listening to as an OST. An unremarkable J-pop number fronts each episode, while the thoroughly bizarre closer “Dancing Human Baby” (just try following the lyrics) mixes piano with heavy metal guitar, drum beats, and lyrical styling,